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Dr Julia Pitman
While Shepherds Watched Their Flocks By Night (Together In Song 299) is one of the oldest texts that can be reliably dated in the history of English church hymnody as it emerged after the Restoration of the Monarchy in 1662. The hymn was first published in Brady and Tate’s, A Supplement to the New Version of Psalms in 1700. At that time, the impact of Watts and Wesley on congregational singing was yet to be felt. Following John Calvin, congregations sung metrical psalms from his Genevan Psalter (1551), or close paraphrases of psalms from the King James Version. They sang in unison, in the vernacular and with no musical accompaniment made by human hands. Gradually, church musicians introduced hymns such as ‘While Shepherds Watched’ to improve the literary quality of the authorised books of psalters. They applied the scriptural paraphrase to passages other than psalms and to contemporary life. The hymn was born. John Calvin would have been rolling in his grave!
‘While Shepherds Watched’ is one of three hymns in our hymnal by Nahum Tate (1652-1715), a Dubliner who moved to London in 1688 to adapt works for the theatre. He became poet laureate in 1692. Tate also wrote and published metrical psalms. Tate and Brady’s New Version (1696) of Sternhold and Hopkins’ ‘Old Version’ (1562) influenced psalmody well into the nineteenth century. |
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UnitingCare agencies across the state have taken a leaf out of Good King Wenceslas’ book as they look out “on the feast of Stephen”. At this time of year, they always see an increase in need, as people struggle to provide their loved ones with the joys of Christmas cheer. Their work commends the last verse of the famous Good King Wenceslas carol: Therefore, Christians, be sure, Wealth or rank possessing, Ye who now will bless the poor Shall yourselves find blessing. |
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Linda Sutton
Carols were first sung in Europe before the time of Christianity. This was pagan music, sung at the winter solstice celebration. The word ‘carol’ means dance or song of joy. The early church replaced the solstice celebrations with Christmas, carols were meant to be sung at that time only.
In 1749, when John Byron asked his daughter Dolly ‘What do you want for Christmas?’ Dolly asked, not for two front teeth but a poem! Imagine the reaction to that request from twentieth century parents, who would expect a wish list of the latest in technological games or gadgets.
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Anon
“Silent Night” (TIS No. 311) is perhaps the most beautiful and popular of all Christmas carols, most certainly because of its glorious melody which gives a peaceful ambience to a wonderful night, the eve of Christmas.
Joseph Mohr, (1787 – 1863) a primary school teacher and church organist, wrote Silent Night in 1816 but it was first performed in the Nikolaus-Kirche (Church of St. Nicholas) in Oberndorf, Austria on December 24, 1818. Mohr asked his friend Franz Gruber, a catholic priest, to compose a melody and guitar accompaniment especially for that church service. The words and the melody fit nicely together. We have no details of any specific inspiration for Mohr writing this most beautiful of carols, however the Silent Night Society in Oberndorf says that there are, "many romantic stories and legends," that add their own anecdotal details to the known facts.
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The Uniting Church of SA and UnitingCare Wesley Adelaide have made a joint apology regarding past forced adoptions. To read the Apology Statement click here and the Joint Submission click here.
The Uniting Church SA and UnitingCare Wesley Adelaide are in full support of this national inquiry into past adoption practices as it works to shed more light on past practices and contribute to the journey of healing to those who were affected.
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